#Pro tools 101 study guide how to#
#Pro tools 101 study guide pro#
#Pro tools 101 study guide software#

Experiment with which sounds you send to what bus. Treat them with the same reverb to give the perception that they’re all in the same space. This allows you to process all your drum sounds as one unit. By sending multiple sounds to one track (the bus) you can apply the same processors to them all at once. Now picture it with a bunch of sounds riding it. Commit to good sounds early and avoid endless tweaking later in the mixing stage. Get an early sense of where you are heading for the final mixdown. Push the original recordings as far as you can without heavy processing. Think about the big picture while recording or choosing your initial sounds. What are the main textures you’re looking for in your track? What kind of space are you trying to create? Upfront and punchy? Or distant and reverberant? Work on bringing the most character out of your sounds while you're in the early stages of recording. The right mix to work withīelieve it or not, you should be mixing before you mix. But there are essential mixing basics that everyone should follow. So what’re the mixing basics? Just like most processes - and especially in audio mixing - everyone has their own opinions. It will save you hours of searching later. This will help with processes like bussing and keeping track of layers of your session. For example, make all of your drum tracks yellow, all your vocal tracks blue, and all your guitars green. Poor naming adds oodles of unneeded studio time to your session. In three months you won’t be able to remember where the third shaker is if it’s called ‘Audio track 48.’ If you record a ‘lead guitar’ then do yourself a favor and call it ‘lead guitar’ before you hit record. Perfect for booting up your computer and starting a mix from scratch. Making your own template is a great step in developing your mix style. If you don’t see the template you need, just make one.

#Pro tools 101 study guide pro#

For example, Pro Tools includes the ‘Rock’ template which sets your session up with tracks for: Drums / Bass / Organ / Guitar / 4 empty audio tracks for recording / Click Track / Pre-routed Headphone Mix / Reverb Return / Delay Return / Chorus return Although this is a basic band mix template, there are other templates to choose from.

#Pro tools 101 study guide how to#

Most DAW’s provide nifty templates if you’re unsure of how to get started. I’ll be using Pro Tools as an example but all the principles are the same no matter how you mix. Stay true and you’ll reap all the benefits. The savvy audio mixer sticks to one DAW and knows it truly, madly, deeply.

#Pro tools 101 study guide software#

Get to know your DAW software intimately. Here's some of the best DAWs to help you get started. There’s tons of Digital Audio Workstations (DAW) to choose from. They’ll get your mix as far as it can go before you seek more specific resources. Taking control of your artistic and creative vision will take your music to the next level. It doesn’t matter if you’re recording tracks with microphones and pre-amps, or using pre-recorded sample packs, learning how to mix for yourself is very important. The mixdown is the final step before mastering. The final output of a multitrack recording is also known as the mixdown. There’s no right or wrong number of tracks. A multitrack recording is anything with more than one individual track (also referred to as stems). The aim is to sculpt your arrangement to make sense of all your tracks in relation to each other. The goal of mixing is to bring out the best in your multi-track recording by adjusting levels, panning, and time-based audio effects ( chorus, reverb, delay). Tracks are blended using various processes such as EQ, Compression and Reverb. Caution! No English version! Polish release.Audio mixing is the process of taking recorded tracks and blending them together.